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­­ ­ ­­ ­­­ ­­­­ ­ ­­. ­­ ­ ­ ­ ­ ­­ ­­­ ­, ­ ­ ­­ ­­­ ­ ­­­ ­ ­­­ ­ ­­ ­­­­. ­­­­ ­­ ­ ­­, ­ ­­ ­­­ ­ ­­­­, ­­­­­ ­­­­, ­ ­ ­­­ ­­­, ­ ­­­­ ­­ ­­­­ ­­ ­­­ (­­) ­, ­ ­­­ ­­ ­­ ­­­ ­­­ ­ ­­­­, ­­­­­ ­­­­­. ­ ­­ ­­­­ ­­ ­­­­, ­ ­­ ­ ­­ ­­­­ ­ ­ ­: ­­­ ­ ­ ­­­­ ­ ­ ­ ­­ ­ ­, ­ ­­­ ­ . ­­­­ ­­­­ ­­ ­ ­­ ­­ ­ ­, ­­­­ ­­ ­­­ ­­, , ­­­­ ­­ -­­.

ʚ­ ­: ­ ­, ­­, ­, ­­­ ­­­­, ­­­­, , ­­­ ­­.

 

 

­ ­ ­­

 

­­ ­ ­ ­­­ ­­ ­ ­­ ­ ­­­­, ­­ ­ ­­ ­­­ ­, ­­­, ­ ­ ­­­ ­ ­­­. ­­, ­ ­­ ­­­ ­­­­ ­ ­ ­. ­ , ­ ­ ­ ­­ ­­­­­ ­ ­­ XIX ­ (­­­­). ­ ­­ ­­ ­­­ ­­­ (­­ ­ ­: ­ ­­ ­ ­­ ­), ­­ ­­­ ­­ ­­ ­­ ­, ­ ­ ­ ­­, ­­ ­­ ­­­.1 ­ ­ ­­ ­­­ ­­ ­­ ­­ ­­­­ , ­, ­­ ­­ ­­­­­.

­ ­ ­­­­, ­ ­ ­ ­ ­­­ ­2 ­ ­­ ­ ­­­­ ­­ ­­­ ­­­. ­­, ­ ­­­­, ­­­ ­­­ ­­ ­­ ­­­­ – "­­­" ­­­ ­ ­­ ­­­ ­­­ ­­ ­ ­ ­­­­ ­­­­­ ­ ­­ ­­­­, ­ ­­­­ ­ ­­ ­­­ ­ ­­ ­­ ­ ­ ­ (­ ­­­) ­­­­. ­ ­­­­, ­ ­ ­­ ­ ­ ­ ­­­, ­ ­ ­­­ ­­, ­ ­ ­­­ ­­­. ­­, ­ ­­­­ ­­ ­­­ ­­­­ ­ ­ ­ ­ ­­ ­ ­, ­­­ ­ ­­ ­­­­, ­­ ­ ­­ ­­­ ­ ­ ­­ ­ ­­­.

­­ ­ ­­ ­­ ( ­ ­) ­ ­ ­, ­ ­­ ­ ­ ­­­­ x­­­. ­­ ­­ ­­­­­, ­ ­­ ­ ­­ (. ­, ­­­­ .), ­ ­­ ­ ­­ . ­­­ ­­­ , ­ ­­­ ­­ ­ ­­ ­­, ­­ ­ ­ ­ ­­­­ ­­. ­­ ­­, ­, ­ ­­­­, ­ ­­ – ­ ­­ ­­ ­ ­­­, ­. ­ ­ ­­­ ­­­ ­­ ­­­­­ ­­ ­­.

­ ­­, ­­ ­­­? ­ ­ ­­ ­­ . ­­ ­ ­: "­­ ­­ ­ ­­­ ­­, ­­ ­ ­­­ ­­"3. ­ ­­ ­ ­ ­ ­ ­ ­, ­­ ­ ­ ­­­ ­ ­ ­ ­­ ­­ ­, ­­­­ ­­­­­ ( ­ ­ ­­ ­­­, ­ ­ ­­­, ­­­ ­­). ­ ­ ­­ ­ ­: ­ , ­ ­­ ­ ­­ ­­ (­ ­­ ­ ­­ ­ ­­, ­ ­­ ­ ­­­, ­ ­­­ ­­­ ­­, "­­ ­", ­­ ­ in­ter­cros­sing-), ­ ­ ­­ ­, ­ ­­ ­­­­, ­ ­­ ­­­­. ­ ­­ ­ ­, ­­ ­­ ( ­ ­­­ ­ ­­­ ­ ­, ­ ­­ ­­ ­ ­­ ­­ ­ ­­), ­ ­ ­­ ­, ­­ ­­ ­ (­), ­ ­­­ – ­ ­ ­, ­­ "­­­ ­­­" ­ "­­­ ­­". ­ ­ ­­ ­ ­­­­ ­­. ­ ­ ­­­­ ­ ­ ­­ ­­, ­­ ­­­ ­ ­ ­­ (­ ­ ­­­­, ­ ­­­ ­­ ­­­­).

 

 

­­­ ­­­ – ­ ­­

 

­ ­­­ ­­­­ ­ ­­ ­­, ­ ­­­­ ­, ­ ­­­ ­ ­­ ­ ­­ ­­­ ­­ ­­ ­ ­­ ­­­­ ­­­­ ­ ­: ­­­ ­­­. ­ ­­­ ("­­­­") ­­­­ ­­ "­­­­­", "­­­­ ­ ­­". ­ ­­ ­­­, ­­ ­ ­ ­­­­ ­ ­ ­, ­­­ ­ ­­ ­­­ ­ ­­ – ­­ ­ ­­ ­­­, ­ ­ ­­ ­­. ­ ­­­ ­ ­ ­­­­ ­, ­ ­­ ­­ ­­ ­ ­ ­­. ­ ­­ ­­­­ ­ ­­ ­ ­­ ­­, ­­ ­­­ ­ ­ ­­ 180º ­ "­­" ­­­. ­ ­­ ­­­ ­ ­ "­­": ", ­. ­­­­, ­­­ ­ ­­ ­ ­­­. ­ ­ ­­ ­­, ­ ­­­ ­ ’­­­!’ – : ’­! ­! ­­­ ­!’ : ’– ­!’ ­ ­­, ­ ­­ ­­ – ­ ­! (­ ­­ ­.) ­ ­­, ­ ­ . ­­, ­ ­­ ­, ­­ ­ ­­ ­ ­ ­ ­­, ­ ­ ­­ ­ ­ ­ ­­ ­­ ­ ­ ­ ­­ ­ ­­ ­­. ­­ ­ ­­."4

­­­ ­ ­­­ ­­ ­ ­­ ­ ­­­­ ­ ­­ ­­ ­­­, "­­, ­ ­­­ ­, ­ ­­­ ­ ­­, ­ ­­ ­ ­­ ­ ­ ­, ­­, ­­."5 ­ ­­­ ­ ­­­ ­­­­ ­­­ ­­­­­ ­­, ­ ­­­­ ­ ­: " ­­­ ­­­ ­ ­ ­­, ­­­, ­­­ ­­­, ­ ­­­­, ­­­ ­­ ­­ ­­ ­ ­­ ­­."6 ­­­ ­ ­­ ­, ­­ – ­­­ ­ ­­­­. ­ ­ ­­­ ­­: ­ ­­­­ ­, ­ (­­­ ­­) ­­.

­ ­­, ­ ­ ­, ­ ­­­. ­ ­­ ­­­ ­ ­ ­­­­­ ­­­ ­, ­­ ­­ ­ ­­­­­ ­ ­­ ­­­ (. ­­ ­­ ­­­), ­­ ­­ ­­­ ­­­ ­ ­ ­­­ ­­­-­­­­ ­­ ­. ­ ­ ­ . ­­­­­ ­­­ ( ­ ­ ­: "­­ ­­­") ­­ ­ ­ ­, ­ ­ ­­­ ­­, ­ ­­­ ­ ­ ­­. ­­­ ­ ­­­ ­ ­­ ­ ­­­­, ­ ­­­­ ­ ­ ­­­, ­­ ­­ ­­ ­­. ­­, ­ ­­: ­ ­­­­ ­ ­­ ­ ­­­ ­­­, ­­, ­­­ ­ ­­­! ­ ­ ­­ ­ ­­ ­­ ­ ­ ­­­: "­­­­ ­ ­­­­ ­­ ­ ­ ­, . .] ­ ­­­­ ­ ­­­ ­ ­­, ­ ­ ­­ ­ ­­­. ­ ­ ­­­ ­ ­ ­ ­ ­­­, ­ ­­?"7 ­ ­­, ­ ­ ­ ­ ­­­ ­­, ­ ­­­? ­ ­­ ­­, ­ ­­, ­­ ­ ­­­­ ­ ­, ­ ­ ­ ­­ ­­­. ­ ­ ­­ ­­­­­ ­­­ ­ ­­­, ­ ­­ ­ (­­) ­­.

­ ­­­ ­­­ "­ ­­­, ­­­­ ­, ­ "8. ­­­ ­ ­­ ­ ­ ’’, ­ ­ ­ ­­ ­ ­­­ ­­ ­: "ƚ ­­­, ­­­­ ­ ­­ ­­, ­­­­, ­­­­­ ­­ ­ ­ ­ ­, ­ ­­­ ­­­, ­­, ­­ ­­, ­­­­­ ­ ­­­ ­, ­­­, ­­­ ­ ­ ­­, ­ ­­­­­, ­­."9 ­­­ ­­ ­ ­­ ­­ (­­­) ­ ­­­ – ­ ­ – ­­ ­­­ ­ ­­ ("­­­ ­ ­­ ­ ­­ ] ­ ­ ­­"10). ­­, ­ ­ ­­­ ­­­­, ­ ­­ ­ ­ ­­ ­ ­­, ­ ­ ­ ­­ ­­ ­ ­, ­ ­ ­­­ ­­­, ­­­ ­ ­ ­ ­ ­­­ ­­. ­ ­­ ­: " ­­­ ­­­ ­ ­ ­ ­­­, ­ ­­ ­­­; ­­: ­­­ ­­­, ­ ­­­ ­­­. ...] ­ ­ ­­­ ­­­ ­ ­ ­ ­­, ­­, ­­ ­ ­. ­ ­­ ­­­ ­­­."11 ­­­ ­ ­­ ­ ­ ­­ ­­­ ­ ­­­­ ­: "­­­ ­­ ­­­. ­­­ ­­ ­­­."12 ­, ­­­ ­­­ ­­ ­­­ ­­­.

­ ­­­­ ­­ ­­ ­ ­­­ ­­­­, ­ ­ ­­­ ("­­") ­­­ – ­­, ­­ ­­­ ­ ­­­ ­ ­­­­ ­­ ­­ ­­­­ ­­­­, ­­­ ­­­­­. ­ ­­, ­­ ­­ ­­­­ ­ ­­ ­ ­­­ ­­­ ­­­­ ­ ­­ ­­, ­ ­­­­ ­­­­ ­­­­ ­­­ ­­­ ­­­ – ­ ­­­ ­. ­ ­ ­­ ­­ ­ ­ ­­­ ­­ ­. ­­­ ­­­­ ­ ­­­ ( ­­ ­ ­ ­­­ ­­­­ ­­ ­­, ­ – ­ ^­ ­­ – ­ ­­ ­­).

­ ­­ ­ ­ ­­­ ­ ­ ­ ­­­ ­­­­, ­­ ­­­ ­­ ­ ­­­ ­­­­ ­ ­, ­ ­­ ­­ ­ ­­ ­­­­ ­­­, ­ ­­ ­ ­­ – ­ ­ ­­­­ ­­ ­ ­ ­­­­­ ­­ ­­ ­­ ­­. ­ ­­­­ ­ ­­ ­, ­ ­­­ ­­­-­­­­ ­­­­ ­ ­­­ ­ ­ ­­­­ ­­­ ­­ ­­­ ­­ ­ ­­­­ ­­­­ ­ ­, ­ ­­ ­ ­ ­­ ­­­­ ( ­­) ­. ­ ­ ­­ ­­­ ­­ ­­­­ ­­­ ­ ­­­­ ­­­ ­ ­­ ­ ­­: "­­ ­­­ ­­­ ­ ­­ ­ ­­: ­­­­ ­­­ ­ ­­­ ­­, ­ ­­­­ ­­. ­­ ­ ­­ ­ ­­ ­ ­: ­­­, ­ ­ ­­­ ­ ­­ ­; ­­, ­ ­­ ­­ ­ ­­­ ­­­; ­­, ­ ­ ­­ ­­­­ ­ ­­ ­­ ­ ­ ­­. ­­ ­­­ ­ ­­ ­­ ­ ­ ­, ­ ­ ­ ­­­­ ­ [sic!], ­­ ­­­ ­ ­ ­ ­, ­ ­­­ ­­­, [...] ­­, ­­ ­ ­­ ­­­ ­­­."13 ­ ­ ­­­ ­­­ ­­­­ ­ ­ ­­­, ­ – ­­­ ­ ­ "­­­­" 14 – -­­! ( ­­­ ­ ­­ ­ ­­­ ­­­­­ ­ ­ ­­ ­ ­ ­ ­­­­ ­­ ­­ ­ ­­ ­.)

 

 

­­­ ­

 

­­ ­ ­ ­­ ­ ­­­ ­ ­­ ­­, ­ ­­ ­ ­. ­­ ­­­­­ ­­ ­­: ­ ­ â­ ­ ­ ­­ ­­­­­ ­­; ­ ­ ­ ­ ­ ­ ­ ­­­ ­ ­­ ­ ­­, ­ ­ ­­­ ­­­­ ­­ ­ ­. ­­ ­­­ ­ ­­ "­­­­­ ­ ­­­ ­", "­­ ­­ ­ ­ ­­ , ­­ ­", "­ ­­ ­­ ­­ ­­ ­­, ­­ ­ ­­".15 ­­­­ ­ ­­ ­ ­­­ ­ ­ ­­ (­ ­ ­ ­­ ­­ ­­­­ ­ ­­, ­ ­­ ­­ ­­­ ­ ­­­ ­­). ­ ­­ ­ ­­ ­­ , ­ ­­­, ­­, ­­, ­ ­­ . ­­ ­ ­­16 ­ ­ ­­­­ ­­ ­­. ­­­ ­ ­­ ­ ­ ­ ­ ­­­ ­ ­­­­ ­­ ­ ­ ­ ­­: " ­ ­ ­, Chi­a­sma ner­vo­rum op­ti­co­rum."17 ­­­ ­ ­­­ ­­ – ­­ ­ ­ ­­ ­ – ­ ­ ­­ ­ ­­­­ ­ ­­, , ­, ­ ­ ­ ­­­­ ­ ­­ [sen­se of be­a­uty], ­, ­­­ ­ ­­ ­ ­­­­ ­­, ­­ ­­­­­­­ ­­ ­­: ­ ­­­ ­ ­ ­­ ­­ ­­ ­ ­­, ­ ­ ­ ("­ ­­­ ­­, ­­­ ­"18) ­­ ­­ ­ ­­­ (­) ­­ ­. ­­­ ­ ­ "­­­­­­" ­­, ­ ­­ ­ ­ ­­­ ­ ­ ­­ – ­ ­­­ ­­­­­, ­­­ ­­­ ­­­­­ ­ ­­ ­ ­­.

­ ­ ()­­ ­­ ­­­ ­­­­ ­­­­ ­­­­ , ­ ­ ­ ­­ ­, ­ ­­­ ­­­ ­­­ ­­. – ­­ ­­ – ­ ­ ­­ ­­ ­­ ­­­ ­ ­x ­­ ­ (­). ­­­ ­ ­ ’’, ’­­’ ’­’, ­ ­­­ ­­­ ­­­ ­­­. "­ ­­ ... ­­ ­­ ­ ­ ­ ... ­ ­­ ­­­­, ­­­­­, ­­­­ ­­ ­­­; ­­, ­­, ­­­­­ ­ ­­­."19 ­­­­ ­ ­ ­­ ­ ­­­­­ ­­­, ­ ­ ­­ , ­­ ­­ ­­ ­ ­­ ( ­­: ­­), ­ ­­ ­­­ ­­ ­ ­­.20 ­­ ­­ ­ ­ ­­ ’­’ ­­ ­ ’­’, ­­ ­ ­ ­­: " ­­ ­­­­ ­ ­ ­­­ ­­, ­­­ ­ ­­ ­, ­ ­ ­ ­­ ­ ­­­ ­, ­­ ­­ ­­ ­, ­­ ­­­­, ­­."21 ­ ­­­ ­­ ­­ ­­ ­­ ­ ­ ­­ ­ ­­ ­ ­ ­­­ ­­ ­­ ­­ ­­ – ­­­ ­­ ­ "­­" ­­ ­.

­­­ "­­­ ­­" ­­­ ­ , ­­­ ­­­ ­ ­­­ (­­-)­­­­­ ­­­­, ­ ­ ­­­: ­­ ­­ ­ ­ ­ ­ ­ ­ ­ ­­­ ­­. ­ ­­ ­­ ­ ­­ ­­ ­­­ ­ ­­­­ ­­ ­­­ ­­­­.

 

 

­ ­­­ ­­­­?

 

­­, ­ ­­ ­­ ­ ­ ­ ­­­ ­­­­ ­ ­­­, ­ ­­­­ ­­ ­ ­­­ ­­­­­ ­: "­­­­­" "­­­" ­ ­­­­ ­ ­ ­­ ­ ­­­­­ ­ ­­­ ­.22 ­­, ­ ­­ ­­­­ ­ ­­ ­­­ ­­­­ ­­­­­ – ­ ­ ­ ­­ ­ , ­ ­ ­ ­ ­ ­ ­, ­ ­ ­­­ ­­­ ­­­ ­, ­ ­ ­­­­, ­­­ ­­. ­­ ­ ­­ ­ ­ ­­ ­ ­­ ­­, ­­ ­­­ ­­­­ ­­ ­­ ­­­. ­­ ­ ­ ­­­ ­­­­­, ­­­ ­­­ ­­­ ­ ­­­­­­, ­­­ ­­­­, ­ ­­­ ­ ­­ ­­ ­ – ­­­ ­­, ­­­­ ­ ­ ­ ­­­, ­ ­ ­­ ­, ­­­ (­­­) ­­ ­ ­­ ­­ ­ ­­­ ­­ ( ­­­ ­­). ­­­ ­­­ ­­­ ­­­ ­­­­ ­­­­ ­­­ ­ ­­ ­­­ ­­­, ­ ­ ­ ­­­­. ­ ­­­ ­­­ ()­­ ­­­­ ­ ­­ ­­?

­ ­­ ­­­ ­­­­­­ ( ­ ­­­­­­­) ­­­ ­­­­ ­­ ­­ ­­ ­ ­ ­ ­ ­­­­­ ­­ ­­ ­­. ­ ­­ ­ ­­ ­ ­­­? ­­, ­­­ ­­ ­­­­ ­ ­ ­­ ­­­ ( ­­ ­­­) ­ ­­ ­­­ ­ ­­­ ­­­­­ ­­­ ­­­ ­­. ­­, ­­ ­­ ­­­­­­­ ­­ ­­. ­ ­ ­ ­­ ­­­ ­­­­ ­­ (­­­­) ­­­, ­ ­­­­ ­­ ­­ ­, ­ ­­ ­ ­­­­, ­­ ­­ ­­­­ ­­­­­ ­ ­­ ­­ ­­­ ­­, ­ ­­­ ­­, ­ ­ ­ – ­­, ­ ­ ­­­ ­. ­ ­ ­ ­­­ "­­", ­­­­ ­­­ ­ ­­­ ­, ­­, ­ ­ ­ – ­ ­ ­­ ­­­­­ ­­­­ ­­ ­: ­ ­­­ ­­ ­­­­, ­ ­­ ­­­ ­­­­­.23 ­ ­­ ­­­ ­­ ­­ ­­­ ­­­ ­­­ ­­, ­ ­­ ­­­ ­­­­ ­ ­ ­­­ ­. ­ ­­­ ­­­­­, ­­ ­ ­­ ­­­ ­­ ­­­­ ­. ­ ­ ­ "­­­­­" ­­­ ­­.

 

 

 

On the syn(es)the­tic me­taphysics of La­za Ko­stić

 

Ab­stract

 

In the fol­lo­wing ar­tic­le I will sketch the me­taphysi­cal at­ti­tu­de of the Ser­bian po­et and phi­lo­sop­her La­za Ko­stić. De­spi­te the fact that he didn’t le­a­ve us a her­me­ti­cal phi­lo­sop­hi­cal system, Ko­stić may be con­si­de­red as a thin­ker who in­si­sted on the idea of in­ter­re­la­ted­ness as the main prin­ci­ple of phi­lo­sophy. By lo­ca­li­zing the prin­ci­ple of re­a­lity in the so-cal­led "in­ter­cros­sing" Ko­stić be­ca­me a re­pre­sen­ta­ti­ve of an un­sub­stan­tial re­la­ti­o­nal me­taphysics which is fun­da­men­tally synthe­tic, abo­ve all be­ca­u­se of his in­si­sten­ce on the synthe­sis of prin­ci­pal thin­king and em­pi­ri­cal (sci­en­ti­fic) know­led­ge but al­so be­ca­u­se of his ori­en­ta­tion upon the con­nec­ti­ons bet­we­en dif­fe­rent en­ti­ti­es in the fi­eld of bi­o­logy, physi­o­logy and an­thro­po­logy. Gi­ven the fact that his me­taphysics is est­he­ti­cally mo­ti­va­ted it co­uld be re­la­ted to the pro­ject of synest­he­tics in a bro­a­der sen­se of a di­sci­pli­ne which in­tends to cre­a­te est­he­ti­cal har­mony by mer­ging dif­fe­rent are­as or op­po­si­te phe­no­me­na wit­hin the­se are­as. The re­a­li­za­tion of the me­taphysi­cal need be­co­mes in Ko­stić an est­he­ti­cal di­men­sion; me­taphysics and synest­he­tics are he­re in a synthe­tic re­la­ti­on­ship be­ca­u­se of which me­taphysics be­co­mes synest­he­ti­cal.

Keywords: La­za Ko­stić, in­ter­re­la­ted­ness, in­ter­cros­sing, synthe­tic me­taphysics, synest­he­tics, eye, tran­sver­sal thin­king.

 

 

­­:

 

  1 ­ ­­ ­­­ ­­ – . ­­ ­­­, ­ ­ ­­ ­­­, ­­ 1997.

  2 ­ ­­­ ­ ­­ ­­, ­ ­­­ ­­ ( ­ ­ ­­ ­ ­­) ­­ ­­.

  3 ­ ­, ­ ­­. ­­ ­ ­­­­, ­­ 1961, . 13.

  4 ­­­ ­, . 19 .

  5 , . 20 .

  6 , . 21.

  7 , . 32.

  8 , . 33.

  9 ­ ­, ­ ­­ ­ ­­ ­­ ­ ­­ ­. ­­ ­­ ­. ʜ­ 121. ­ 1880, . 10.

10 ­ ­ ­­, . 33.

11 , . 34.

12 .

13 . ­ ­­, . X.

14 ­ ’­­­’ ­ ­ ­­­ ­ ­ ­­­­ ­­­ ­ ­ ­­, ­­­ ­ ­­ ­ ­ ­­ ­. . (­­­).

15 . ­ ­, "", : ­, ­­ 1965, . 51–84, ­: . 51. (­ ­­ ­ ­ ­­ ­, ­­ ­­­ ­ ­­­ ­, ­­ ­ ­ ­­ ­­­ ­­ ­­­ ­­­ ­­­­. ­, ­­ : ­ ­, ­ ­­ ­. ­­ ­­ ­, ʜ­ 124. ­ 1880, . 1–34.)

16 ­ ­­­ ­­ ­ ’­’. ­­­ ­­ ­­­ ­­­: "­! ­ ­ ­­ ­, ­ ­­, ­ , ­­, ­ ­ ­, ­ ­ ­. ­ ­ ­­­ ­­, ­­­ ­ ­ , ­­ ­­ ­ ­­, ­ ­­­ ­­ ­­ ­­­, ­ ­ ­­ ... ­ ­ ­ ­ [­ – . .], ­­ ­, ­ ­, ­ ­­ ­ ­ ­­. ­­­­ ­? ­­ , ­­. ­ ­? ­­ ­­­ ­ ­ ­, ­ ­ ­. [...] ­ ­­ ­ ­­ ­ ­­, ­ ­­ ­­ ­ ­­ ­­ ­­­, ­ ­ ­ ­ ­­ ­­ ­ ­ ­­­." (­ ­, ­ ­­ ­. ­­ ­­ ­. ʜ­ 123. ­ 1880, . 14 .)

17 ­ ­, ­, . 58.

18 , . 61.

19 , . 79.

20 ­­ ­­ ­­ ­ ­­­ ­ ­­ ­­ "­­­" ­­ "­­­": " ­­ ­ ­. ­­ ­­; ’ , ­, ­ ­­." (, . 80)

21 , . 81.

22 . , . XXVII.

23 . ­­­ ­ Njol­fgang Njelsch, Ver­nunft. Die ze­it­ge­nös­sische Ver­nunftkri­tik und das Kon­zept der tran­sver­sa­len Ver­nunft, Frank­furt am Main 1995.

 
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